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Curator's Note

Awẹlẹwà, the slender, beautiful one, carries what Funmilayo Tejumola calls the hope of an African renaissance. Under a gold-beaded fringe h…

Curator's Note

Sisi is the Yoruba word for a young woman in her prime. Christian paints two of them mid-stride, one gazing up at the other as if the next …

Curator's Note

The power here is in the angle: she is turned away from us, looking forward. Then you find the map of Africa inked on her neck, and the por…

Curator's Note

The molue at the front of this picture has mostly left Lagos roads, which is exactly why it belongs here. Anth Ezeokoye parks the old Merce…

Curator's Note

A ring of white light, one eye flaring like a star, an ochre robe over a bare shoulder. Dayo paints Christ as a young African man with a fu…

Curator's Note

Dayo made his old man for the elders he grew up around, the quiet ones who have seen a lot and carry it with dignity. White beard against a…

Curator's Note

Look at her ears: two steel hex nuts where gold should be. Yemisi wears a crown of beaded tendrils and two sharpened red combs. KeO makes h…

Curator's Note

In the rest of Made in Lagos a yellow sun shines over the scene. Above the Central Mosque, Anth Ezeokoye turns it into a crescent moon. It …

Curator's Note

The subject is the child. Godwin Edet Munam's masked ancestors sit with their backs to a crowned infant, guarding it, praying for it and fe…

Curator's Note

Before it was a square it was a racecourse, and the horses never left. Anth Ezeokoye puts the rearing horse statues at the centre of the gr…

Curator's Note

KeO calls her a mask depicting the beauty of a young lady. He then gives her a tongue stuck out at the viewer and a star for a beauty mark.…