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Curator's Note

Count the eyes: one closed, one open, one at the brow with a spiral for a pupil. Godwin removes the name from the face on purpose, so what …

Curator's Note

Everything here pulls toward the pale circle at the centre, and one thin white line cuts straight through it. That line, Aiyedogbon says, i…

Curator's Note

Toni Kuyinu's gold usually crowns kings and queens. Here it rings the closed eye of a girl holding a single white feather to her face. It i…

Curator's Note

Two feline goddesses walk hand in hand: Mafdet, cheetah-headed, holding up a bleeding heart, and Bastet, grey and cat-headed, raising her s…

Curator's Note

Look long enough and the noise resolves into order: the whole field is built to read the same upside down. Anth Ezeokoye's training as an a…

Curator's Note

The calm here has a source: between the closed eyes sits a tiny meditating figure, crowned by the third eye. Godwin gives the face a night …

Curator's Note

Awẹlẹwà, the slender, beautiful one, carries what Funmilayo Tejumola calls the hope of an African renaissance. Under a gold-beaded fringe h…

Curator's Note

In the rest of Made in Lagos a yellow sun shines over the scene. Above the Central Mosque, Anth Ezeokoye turns it into a crescent moon. It …

Curator's Note

Courage in the letterforms, serenity in the leaves, wisdom in the balance between them. Anth Ezeokoye sets Niebuhr's prayer in bold white o…

Curator's Note

Of Toni Kuyinu's three royals, only the king keeps his eyes open, and he wears round wire glasses. A thoroughly modern young man, crowned w…

Curator's Note

In Nigeria, a celebration has not begun until someone dances. Ekundayo catches three dancers at its height, faces left in soft pencil, the …