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51 results for “Samuel Oladimeji”
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STU. 20/20Curator's Note
Joshua Omoijiade sets a sombre scene in bright, happy colours: amid all the brightness and fads of life, death is always staring you in the…
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STU. 60/60Curator's Note
Where ethnic sentiment is used to divide, Clement Obioha paints Nigeria's three largest peoples as one band: three instruments, three voice…
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STU. 59/60● Selling FastCurator's Note
Some women do not wait to be noticed. Ekundayo leaves her body as pencil and paints only the chartreuse dress, and her carriage does the re…
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COLL. 30/30Curator's Note
A butterfly's beauty is half the story; the rest is the change it took. Ekundayo dresses three women for the moment of emerging, the one at…
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STU. 20/20Curator's Note
Deep blue-black skin, a gold halo, heavy pearls at the throat, arms folded close. Dayo turns the figure away from us and lowers the eyes, a…
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COLL. 30/30Curator's Note
Everyone has made this face, and everyone has received it. Ekundayo leaves the young man in loose pencil and spends his only paint on a ban…
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STU. 60/60Curator's Note
Clement's feminist is a woman who builds the life of her dreams, carries a man's load and keeps a woman's kindness. He paints that double s…
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COLL. 30/30Curator's Note
The building every Lagosian can draw from memory, its roof shaped like a general's cap, with a working crane standing beside it. Anth Ezeok…
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STU. 60/60Curator's Note
Look past the outfit to the face, or what replaces it. A yellow card with a drawn-on smile is stuck over a man reading his own rulebook. St…
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STU. 20/20Curator's Note
Omotayo Tajudeen lights his sitter from behind until the gold seems to come from the figure itself. The crown is beaded, the robe sweeps ou…
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STU. 60/60Curator's Note
The molue at the front of this picture has mostly left Lagos roads, which is exactly why it belongs here. Anth Ezeokoye parks the old Merce…
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LTD. 15/15Curator's Note
Look twice: what reads as a single heart is two, conjoined, cut from brilliant crystal shards. Anth Ezeokoye makes the join almost invisibl…
