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85 results for “Yoruba heritage”
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STU. 20/20Curator's Note
Awẹlẹwà, the slender, beautiful one, carries what Funmilayo Tejumola calls the hope of an African renaissance. Under a gold-beaded fringe h…
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STU. 60/60Curator's Note
Look at her ears: two steel hex nuts where gold should be. Yemisi wears a crown of beaded tendrils and two sharpened red combs. KeO makes h…
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STU. 60/60Curator's Note
Most people see Makoko from the bridge. Anth Ezeokoye brings us down to the water, where a man poles his canoe and children ride beside him…
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STU. 60/60Curator's Note
Before it was a square it was a racecourse, and the horses never left. Anth Ezeokoye puts the rearing horse statues at the centre of the gr…
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STU. 60/60Curator's Note
In Lagos, CMS is as much a direction as a building. Anth Ezeokoye gives the church its place in Made in Lagos. It is a series made to prese…
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STU. 60/60Curator's Note
KeO calls her a mask depicting the beauty of a young lady. He then gives her a tongue stuck out at the viewer and a star for a beauty mark.…
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COLL. 30/30Curator's Note
The building every Lagosian can draw from memory, its roof shaped like a general's cap, with a working crane standing beside it. Anth Ezeok…
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STU. 60/60Curator's Note
The molue at the front of this picture has mostly left Lagos roads, which is exactly why it belongs here. Anth Ezeokoye parks the old Merce…
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STU. 60/60Curator's Note
A ring of white light, one eye flaring like a star, an ochre robe over a bare shoulder. Dayo paints Christ as a young African man with a fu…
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STU. 20/20Curator's Note
Deep blue-black skin, a gold halo, heavy pearls at the throat, arms folded close. Dayo turns the figure away from us and lowers the eyes, a…
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STU. 60/60Curator's Note
Of Toni Kuyinu's three royals, only the king keeps his eyes open, and he wears round wire glasses. A thoroughly modern young man, crowned w…
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STU. 20/20Curator's Note
Dayo made his old man for the elders he grew up around, the quiet ones who have seen a lot and carry it with dignity. White beard against a…
