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Curator's Note

Lagos is a city held together by its crossings, and Anth Ezeokoye gives one of its newest landmarks the same affection as its oldest. In Ma…

Curator's Note

Nothing in Alive is solid. A light passed through the dark again and again, and the camera kept every pass, blue shot through with pink. Fo…

Curator's Note

Look long enough and the noise resolves into order: the whole field is built to read the same upside down. Anth Ezeokoye's training as an a…

Curator's Note

Two faces in profile, back to back, and a flower opening exactly between them. Ibrahim gives the Roman god of doorways a playing-card symme…

Curator's Note

One plane parked, one lifting away: the two halves of every trip home. Anth Ezeokoye spells the airport's name across the terminal exactly …

Curator's Note

Tajudeen photographed a procession of drummers in cream robes under a hard blue sky, then reworked it until it moved like paint. The faces …

Curator's Note

Sisi is the Yoruba word for a young woman in her prime. Christian paints two of them mid-stride, one gazing up at the other as if the next …

Curator's Note

Courage in the letterforms, serenity in the leaves, wisdom in the balance between them. Anth Ezeokoye sets Niebuhr's prayer in bold white o…

Curator's Note

Dayo made his old man for the elders he grew up around, the quiet ones who have seen a lot and carry it with dignity. White beard against a…

Curator's Note

Everything here pulls toward the pale circle at the centre, and one thin white line cuts straight through it. That line, Aiyedogbon says, i…