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59 results for “Funmilayo Todimu Tejumola”
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STU. 60/60Curator's Note
A ring of white light, one eye flaring like a star, an ochre robe over a bare shoulder. Dayo paints Christ as a young African man with a fu…
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STU. 60/60Curator's Note
The centrepiece of Toni Kuyinu's royal trio, and the only face that meets us head-on, yet his eyes are closed. Nothing is being claimed or …
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STU. 60/60Curator's Note
Where ethnic sentiment is used to divide, Clement Obioha paints Nigeria's three largest peoples as one band: three instruments, three voice…
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STU. 60/60Curator's Note
The face is filled with black, leaving only silver eyes and lips, so the person stays unnamed. The one bright, living thing is a red and bl…
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LTD. 15/15Curator's Note
Find the small figure on the winding yellow road, and the long shadow behind them. Anth Ezeokoye drew Discovery of Self so the distance alr…
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STU. 60/60Curator's Note
Look past the outfit to the face, or what replaces it. A yellow card with a drawn-on smile is stuck over a man reading his own rulebook. St…
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STU. 60/60Curator's Note
The molue at the front of this picture has mostly left Lagos roads, which is exactly why it belongs here. Anth Ezeokoye parks the old Merce…
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STU. 60/60Curator's Note
St. Clvtch gives the warrior spirit within him an ancestral face: a Benin-inspired mask honouring his Edo roots, worn over a body in heavy …
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STU. 60/60Curator's Note
Toni Kuyinu's gold usually crowns kings and queens. Here it rings the closed eye of a girl holding a single white feather to her face. It i…
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COLL. 30/30Curator's Note
Ai_mayor reduces the person to a black outline, eyes closed, and still makes it the calmest thing in the frame. Flowers, stripes and a purp…
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STU. 60/60Curator's Note
Of all the Made in Lagos scenes, this one carries the most weight. Anth Ezeokoye honours the Lekki toll gate during EndSARS as a moment of …
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COLL. 30/30Curator's Note
The building every Lagosian can draw from memory, its roof shaped like a general's cap, with a working crane standing beside it. Anth Ezeok…
