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86 results for “artworks with a cultural passport”
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STU. 60/60Curator's Note
The collar is the detail to find: wide, white and a little old-fashioned, worn with complete confidence. Ekundayo keeps her face in quick p…
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STU. 20/20Curator's Note
Count the eyes: one closed, one open, one at the brow with a spiral for a pupil. Godwin removes the name from the face on purpose, so what …
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STU. 60/60Curator's Note
A ring of white light, one eye flaring like a star, an ochre robe over a bare shoulder. Dayo paints Christ as a young African man with a fu…
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STU. 60/60Curator's Note
The molue at the front of this picture has mostly left Lagos roads, which is exactly why it belongs here. Anth Ezeokoye parks the old Merce…
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STU. 19/20Curator's Note
A man squats with one hand drawing chalk on the ground and the other pressed to his heart, as shadow figures close in. For Joshua Omoijiade…
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STU. 60/60Curator's Note
Clement's feminist is a woman who builds the life of her dreams, carries a man's load and keeps a woman's kindness. He paints that double s…
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STU. 20/20Curator's Note
Tajudeen photographed a procession of drummers in cream robes under a hard blue sky, then reworked it until it moved like paint. The faces …
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STU. 60/60Curator's Note
In the rest of Made in Lagos a yellow sun shines over the scene. Above the Central Mosque, Anth Ezeokoye turns it into a crescent moon. It …
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STU. 20/20Curator's Note
Notice Me is a title that asks, and a pose that does not need to. Her head is tipped back, eyes closed, beads flying loose from her throat:…
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STU. 60/60Curator's Note
An homage to the rapper who made Igbo sound like the obvious choice. Clement Obioha exaggerates the beard and the bulk and leaves the side-…
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STU. 60/60Curator's Note
Where ethnic sentiment is used to divide, Clement Obioha paints Nigeria's three largest peoples as one band: three instruments, three voice…
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COLL. 30/30Curator's Note
The face is all there, looking straight at us, and still it nearly vanishes. Black and white marbling runs across the features until skin b…
