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84 results for “Undeclared fine art prints”
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STU. 19/20Curator's Note
Precious Emeka Anih paints pressure from every side: a young man doubled over as hands reach in from a burning sky, his creative fire burni…
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STU. 60/60Curator's Note
Look at her ears: two steel hex nuts where gold should be. Yemisi wears a crown of beaded tendrils and two sharpened red combs. KeO makes h…
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STU. 60/60Curator's Note
Her eyes are closed, and that changes everything. She is not surveying a court; she is somewhere inward, chin lifted, a queen with no need …
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STU. 60/60Curator's Note
Where ethnic sentiment is used to divide, Clement Obioha paints Nigeria's three largest peoples as one band: three instruments, three voice…
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STU. 60/60Curator's Note
KeO turns a girl's name into a playing card. There is a looping A in the corners, a mask at the centre, and in place of a body, a comb. Abi…
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STU. 60/60Curator's Note
The molue at the front of this picture has mostly left Lagos roads, which is exactly why it belongs here. Anth Ezeokoye parks the old Merce…
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STU. 60/60Curator's Note
In Lagos, CMS is as much a direction as a building. Anth Ezeokoye gives the church its place in Made in Lagos. It is a series made to prese…
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STU. 60/60Curator's Note
Lagos is a city held together by its crossings, and Anth Ezeokoye gives one of its newest landmarks the same affection as its oldest. In Ma…
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STU. 60/60Curator's Note
Most people see Makoko from the bridge. Anth Ezeokoye brings us down to the water, where a man poles his canoe and children ride beside him…
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COLL. 30/30Curator's Note
The building every Lagosian can draw from memory, its roof shaped like a general's cap, with a working crane standing beside it. Anth Ezeok…
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STU. 60/60Curator's Note
A building made of angles, drawn so that it seems to move while standing still. Anth Ezeokoye catches the Civic Centre from the road, with …
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STU. 20/20Curator's Note
Two young men lean their heads together until they almost touch. Divine Momoh marks each face differently, a zigzag and spiral on one, a lo…
