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Curator's Note

KeO turns a girl's name into a playing card. There is a looping A in the corners, a mask at the centre, and in place of a body, a comb. Abi…

Curator's Note

The cheekiest of KeO's named cards: lashes lowered, tongue out, and a pair of combs hung at her ears as earrings. He takes the humblest too…

Curator's Note

The rare Ai_mayor picture with no face in it, only the surfaces he usually builds faces from. At its centre a round window splits between l…

Curator's Note

Sisi is the Yoruba word for a young woman in her prime. Christian paints two of them mid-stride, one gazing up at the other as if the next …

Curator's Note

Omotayo Tajudeen lights his sitter from behind until the gold seems to come from the figure itself. The crown is beaded, the robe sweeps ou…

Curator's Note

In the rest of Made in Lagos a yellow sun shines over the scene. Above the Central Mosque, Anth Ezeokoye turns it into a crescent moon. It …

Curator's Note

The face is filled with black, leaving only silver eyes and lips, so the person stays unnamed. The one bright, living thing is a red and bl…

Curator's Note

Awẹlẹwà, the slender, beautiful one, carries what Funmilayo Tejumola calls the hope of an African renaissance. Under a gold-beaded fringe h…

Curator's Note

Àríké carries the name her family chose: meant to be spoiled on sight. Funmilayo Tejumola paints her as a young woman preparing for marriag…