Janus 1
Ibrahim Buhari Gambo
- Back-to-back profilesone face to the past, one to the future
- Central flowerthe present, blooming between the two gazes
- Crowned birdssmall sovereign figures beneath each face
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Artists
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West Africa · Northern Nigeria · Niger
Islamic geometry, indigo textiles and Sahel architecture — Hausa visual culture from northern Nigeria and Niger.
The tradition
Hausa culture centres on the old city-states of northern Nigeria and southern Niger, among them Kano, Katsina and Zaria.
Trade across the Sahara and centuries of Islamic scholarship shaped its art: dyed and embroidered cloth, decorated earth architecture and calligraphy.
Kano's Kofar Mata dye pits have produced indigo cloth for over five centuries. The drawings here carry that discipline of line and pattern.
Visual language
Symbols and forms that recur across this tradition, and that artists here draw on.
The deep blue of Kano's dye pits, beaten to a sheen.
The wide gown, embroidered at the chest in spiral patterns.
The interlaced Hausa knot, used on walls, cloth and leather.
The horn-like pinnacles that crown Hausa earth buildings.
Hausa written in Arabic script, used for poetry and records.
Repeating, interlaced pattern drawn from Islamic art.
Look closer
What to look for, in each work's Cultural Passport.
Ibrahim Buhari Gambo
Ibrahim Buhari Gambo
The collection
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Questions
Known as dagi, it is an interlaced knot used in embroidery, wall decoration and leatherwork. It also featured on the emblem of Northern Nigeria.
The Kofar Mata dye pits in Kano have been worked since the late 15th century. Cloth is dyed with indigo in deep pits, then beaten to a sheen.
It is a wide, flowing gown worn by men across northern Nigeria and the Sahel. Its embroidery, often on the pocket and chest, signals status and taste.
Cultural Passport
The tradition, the artist and the story behind the work, on a digital Passport you can print and frame beside it.