The Cultural Passport

Every order comes with the heritage documented.

Digital, emailed when your order ships: the work's story, the tradition it draws on and how it was made. 5 × 7 in (13 × 18 cm), ready to print and frame beside the work.

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Ask for directions on Lagos Island and, sooner or later, someone will say CMS. The church at the heart of that name is one of the city's historic landmarks. Anth Ezeokoye chose it for Made in Lagos, his series on the buildings and scenes that have made Lagos what it is today.

The series blends vector illustration with sketch-style vividity in a black-and-yellow pop art palette. Its purpose is plain: to celebrate Africa's largest cultural melting pot and to stir nostalgia in anyone with a connection to the city. It is also made to preserve these scenes for good. Look at the street below the tower. A man in a dark suit crosses through taxis drawn in loose yellow line, as if the city never stops moving past its oldest walls. For a Lagosian far from home, that scene places you at once.

Motifs in this work

The clock tower: a historic Lagos landmark and a name for a whole area

The man crossing: the city's everyday traffic moving past its history

Black and yellow: the pop palette of the Made in Lagos series

Anthony Ezeokoye

The artist

Anthony Ezeokoye

Igbo · Missouri, USA · Origin: Nigeria · 19 works on Raknida

Anthony “Anth” Ezeokoye (b. 1989) is an international award-winning digital artist, trained architect, creative director, and creative technologist. His practice sits where cultural storytelling meets emerging media. A Nigerian based in St. Louis, with professional roots across Africa’s creative industries, Anth builds visual worlds across illustration, motion, extended reality, and artificial intelligence. He treats technology not as a novelty but as a tool for authorship, access, and cultural continuity.

Across series, collections, and commissions, Anth’s work explores how heritage, identity, and narratives are constructed. He often uses contemporary African visual language to question what we inherit, how we perform, and who we choose to become.

In the A Queen & More collection, he explores the many dimensions of womanhood through 12 character archetypes in a bold, contemporary palette. Layered elements honor choice, complexity, and self-definition. In the Mask Off collection, he positions African heritage as both inheritance and future legacy. Illustration, 3D digital production, and looping animation ask what remains when performative “masks” fall away, and how cultural values can be re-authored today. His calligraphic portrait series, The Autograph, fuses typography, symbolism, and precise craftsmanship, constructing faces from names, dates, quotes, and lived histories.

Anth’s wider career extends into building creative infrastructure. He is the founder of Raknida, an art-tech platform that widens access to cultural stories by underrepresented artists. Its growing suite of products and experiences spans discovery, collection, and display. He has presented and directed creative projects across cultural, art, and design festivals and public-facing contexts. His creative direction runs through two businesses: Insecta Studios, a creative services company in Lagos, Nigeria, and Raknida Inc. in St. Louis. Recognition includes Arch Grants, SOVAS Voice Arts Awards, One Voice Awards USA, and a Future Awards Africa nomination in Arts and Culture.

More from Anthony Ezeokoye

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