What you receive

Every Collector Edition comes with its story and its certificate.

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  • Cultural Passport

    Digital, emailed when your order ships: the work's story, the tradition it draws on and how it was made. 5 × 7 in (13 × 18 cm), ready to print and frame beside the work.

  • RAKNIDACertificate of AuthenticityCOLLECTOR EDITION · DIGITAL CERTIFICATE ARTWORKARTISTEDITIONCERTIFICATE NO. Village GirlMarjory Yeko Jewitt Edition of 10 Assigned at fulfilment RAKNIDAVERIFIED

    Digital Certificate of Authenticity

    Issued digitally with your Collector Edition.

Marjory Yeko Jewitt builds sky, hills, fields and girl from the same rhythm of parallel black strokes, so the curves of the young woman’s body run on into the swell of the land until it is hard to tell where she ends and the earth begins. She stands with a patterned pot on her head and a tall staff at her side. Across much of Africa the earth is spoken of as a mother. Here, daughter and land are drawn as one. No hardship is staged and no pity is asked for: the girl belongs to her place, and her place to her.

The culture · Uganda, East Africa. Uganda straddles the equator where the Nile leaves Lake Victoria. It is home to many peoples, from the Baganda, whose kingdom still crowns a king, to Ankole’s proud cattle-keepers.

Motifs in this work

Pot on the head: everyday labour that sustains a household

Body and land in one line: the girl belongs to her place

Crown of spiral hair: her own pattern within the landscape

Marjory Yeko Jewitt

The artist

Marjory Yeko Jewitt

Ugandan · Kampala, Uganda · 5 works on Raknida

Marjory Yeko Jewitt, who works as Yeko, is a Ugandan illustrator based in Kampala. She draws in bold black and white, with a dense, rhythmic line closer in feeling to a woodcut than a sketch, and the same strokes run through sky, land, cloth and skin, so that a figure and her surroundings seem cut from one block. Her subjects are the women who hold East African daily life together, and the patterned vessels, cloth and cowrie-like shapes that fill her sheets come from the visual language of everyday Ugandan life, drawn with the same care she gives a face.

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Museum-quality giclée with archival pigment inks.

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